################################################################ # The following is the author's own interpretation of the song # # to be used for studying or private use only. Downloaded from # # www.TabGuitarLessons.com. FREE GUITAR SOFTWARE + LOTS MORE! # # Home of the 60 minute fretboard memory technique. You'll # # memorise ALL the notes and positions on the fretboard in 60 # # minutes or less. visit www.TabGuitarLessons.com today. # ################################################################ From: BosnGahden@aol.com Date: Sat, 3 Oct 1998 22:53:25 EDT Subject: b/barenaked_ladies/call_and_answer.tab Title: Call and Answer Artist: Barenaked Ladies Album: Stunt (1998) Words and Music by: Stephen Duffy & Steven Page Chords: D: xx0232 A7: x02020 D/F: 100230 G: 320033 Em: 022000 G(2): 355433 Bm: x24432 Emadd4 042000 Gm: 355333 Bb: x13331 D/F#: 2x0232 I bought this album the 1st week in October, and heard this tune for the first time that night. In my opinion, this is a truly amazing song, not just for the great harmonies and lyrics, but also because it honestly tells so much of what I've been experiencing in my own current relationship. I couldn't have written it any better (well, except maybe for that "crucify" part!) At any rate, hope you enjoy. This is my first tab post, all my own work, and I'm almost certain everything's correct, but it's probably best to listen closely to the song a few times to make your own adjustments if needed. If you have any suggestions / comments / corrections / good jokes to tell, email me (Dave) at: Bosngahden@aol.com * means mute the high 'e' string when playing these chords during intro & verse 1 (use the pinky on your strumming hand). The song follows a very straight-forward, 8 beats to-the-measure strumming pattern. Lyrics in (parentheses) are background vocals, harmonized with the lyrics right above or to the left of them. Intro: D* G* D* G* D* G* D* G* Verse 1: D*G* D* G* I think it's getting to the point where I can D* G* D* G* D* G* Be myself again. It's getting to the point where we have almost made amends. (I think ...) D*G* Bm Bb A7 I think it's the getting to the point that is the hardest part. Chorus: G D And if you call (I will answer) G D And if you fall (I'll pick you up) G D And if you court (this disaster) A7 I'll point you home, D G D G I'll point you home. Verse 2: D G D G You think I only think about you when we're D G D G D G Both in the same room. I'm only here to witness the remains of love exhumed. (You think ...) D G Bm Bb A7 You think we're here to play a game of who loves more than whom. Chorus: G D And if you call (I will answer) G D And if you fall (I'll pick you up) G And if you court this Break: Em Emadd4 Em Emadd4 disaster ... Em Emadd4 Em Emadd4 G D/F# D/F G Verse 3: D G D G You think it's only fair to do what's best for D G D G D G You and you alone. It's only fair to do the same to me when you're not home. (You think ...) D G Bm Bb A7 I think it's time to make this something that is more than only fair. Chorus: G D So if you call (I will answer) G D And if you fall (I'll pick you up) G D If you court (this disaster) A7 I'll point you home Verse 4: G(2) Gm D Bm But I'm warning you, don't ever do those crazy, messed-up things that you do G(2) Gm D Bm If you ever do, I promise you I'll be the first to crucify you G(2) Gm D Now it's time to prove that you'll come back here to rebuild G D/F# G D/F# G D/F# G To rebuild, To rebuild, To rebuild, To rebuild, To rebuild, To rebuild, To rebuild ... (repeat ad lib and end on D)