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From: tgannon@charlie.usd.edu (spideir)
  -=> "ALL BLUES" <=- (Miles Davis)
      *=========*
   
  -- comp. Miles Davis & Bill Evans (from _Kind_of_Blue_, 1959)
    -- guitar arr., tcg, '8?, '94
    -- !6/8! // Key of G(7) // Moderately
   
   
  -=>INTRO (and Vamp between each 12-Bar "Verse")--
    (G7)
  ||-------------------------------||
  ||-------------------------------||
  ||o---0-----0-----0-----0-------o||
  ||o---0-----2-----3-----2-------o||
  ||-------------------------------||
  ||----3---3---3---3---3---3------||
        1   &   &   2   &   &
   
   
  -=>VERSE (12-Bar Blues)--
  @ Measures 1-4::
        G7         G13/11   G9         G13/11       [4x]
  ||-----------------.--------------------.--------||
  ||----3------------5------6=======------5--------||
  ||o---3h4p3h4p3h4--5------7=======------5-------o||
  ||o---3------------5------7=======------5-------o||
  ||-----------------------------------------------||
  ||----===trill===--------------------------------||
        1     &      &      2      &      &
   
  @ Measures 5-6::
    C13/11        C    C13/11     CM7[*] C13/11        C   C13/11        C
  |---------------.-----------------.--|---------------.-----------------.--|
  |---3======-----5-----6======-----8--|---6======-----5-----3======-----5--|
  |---3======-----5-----7======-----9--|---7======-----5-----3======-----5--|
  |---3======-----5-----7======-----9--|---7======-----5-----3======-----5--|
  |------------------------------------|------------------------------------|
  |------------------------------------|------------------------------------|
      1     &     &     2     &     &      1     &     &     2     &     &
   
  [variation for C measures: ||: --333-  --555-  --677-  --555- :|| 2x
    (i.e., same as G7 measure, without the major 3rd)]
  [*sic: whole "C" chordal series better considered as Gm-type chords...]
   
   
  @ Measures 7-8 (G7...): a` la measures 1-4, but only 2ce thru...
   
   
  @ Measures 9-10::
     D7#9                                 Eb7#9             D7#9
  |------------------------------------|------------------------------------|
  |---------------------6============--|---7============-----6============--|
  |---------------------5============--|---6============-----5============--|
  |---------------------4============--|---5============-----4============--|
  |---5=====------5============-----5--|---6============-----5============--|
  |------------------------------------|------------------------------------|
      1     &     &     2     &     &      1     &     &     2     &     &
   
   
  @ Measures 11-12::
     G7/11            GM6/9[G13]          G7/11             G7/6[*]
  |---1============-----3============--|---1============-----0============--||
  |---1============-----3============--|---1============-----0============--||
  |---0============-----2============--|---0============--------------------||
  |------------------------------------|---------------------3============--||
  |------------------------------------|------------------------------------||
  |---3======-----3-----3======-----3--|---3======-----3-----3======-----3--||
      1     &     &     2     &     &      1     &     &     2     &     &
   
  [* or: 3-345-]
   
  --SEQUENCE: Intro--||: Verse--Intro :||--Verse(fade out)--
   
  -=>Miles' "head"-ish LEAD over the twelve-bar pretty easy to follow on
      the guitar, especially if yu' start at the VIIth position, e.g.--
   
          (G7)
  ||-----|--7============------|--7---8-7========----------------------
  ||-----|---------------------|---------------------------------------
  ||--/7-|------------------/7-|------------------------------- tcg ---
  ||-----|---------------------|------------------------------- '94 ---
  ||-----|---------------------|---------------------------------------
  ||-----|---------------------|---------------------------------------
     &      1  &  &  2  &  &      1   &    &   2
   
  --but then, this is JAZZ, 'n'you're supPOSED to improvize yourself! . . .
    (but a final note: if you're playin' as "slow & tasty" as Miles himself
      does over some sections, Wes-style octaves are awfully nice. . . .)
 
 
    |
  --:--tcg
    )