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Date: Thu, 7 Mar 1996 10:55:02 -0500
 From: Jamison.M.Ruoff.1@nd.edu (Jamison Ruoff)
 EVERY STRANGER'S EYES from The Pros and Cons of Hitchhiking, 1984.
 by Roger Waters
 When I play this, it sounds pretty good when you embellish slightly on the
 C, Am, and G chords (for instance I'll just hammer-on the D string for the
 C & Am, and on the A for the G chord. Listen to the record and you'll hear
 what I mean).
 
 This is how I remember it...
 
 Intro: C Am Dm G
    C
 In truck stops, and hamburger joints,
 Am
    In Cadillac limosuines, in the company of
 Dm
 Has-beens and bent-backs
 G
   And sleeping forms on pavement steps,
    C
 In libraries and railway stations,
 Am
    In books and banks,
 Dm
    In the pages of history
     G                                   C Am
 And suicidal cavalry attacks I recognize
 F           G                C
   Myself in every stranger's eyes.
 
        C
 And in wheelchairs by monuments,
 Am
    Under tube trains, commuter accidents,
 Dm
    In council care and county courts,
 G
   At Easter fairs and sea-side resorts,
 C
   In drawing rooms and city morgues,
                  Am
 In award-winning photographs of life-rafts on the China Seas,
    Dm
 In transit camps, under arc lamps, on unloading ramps,
 G                                               C Am
   And faces blurred by rubber stamps I recognize
 F           G                C
   Myself in every stranger's eyes.
 
     C                 Am               Dm                            G
 And now, from where I stand, upon this hill I've plundered from the pool
         C                   Am     Dm                      G
 I look around, I search the sky, I shade my eyes so nearly blind
               C                C/G      Am                      F
 And I've seen sights of half-remembered days, I hear bells that chime in
 strange,
                      G
         familiar ways
            C Am F             G              C    F G Em Am Dm G
 I recognize      the hope you kindle in your eyes
 
 C                             F               G
   It's oh, so easy now, as we lie here in the dark
         Em                              Am                  Dm
 
 Nothing interferes, it's obvious how to beat the tears that threaten to
 snuff out the
         G            C     CCC
         smoke of our love.
 
 
      C/G
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